Papercutz offers Smurfs, Power Rangers, Tinker Bell
Papercutz bills itself as “the industry’s leading children’s graphic-novel publisher,” and — judging from its current output — that could very well be true.
Once upon a time, that title would have gone to Harvey Comics, which transitioned from horror titles in the 1950s to titles like “Richie Rich,” “Casper the Friendly Ghost” and “Baby Huey.” Those titles — and those characters — are long gone, replaced by the likes of Annoying Orange, Geronimo Stilton and Disney Fairies, all published by Papercutz.
Not to mention the Smurfs! That might elicit a groan from some American adults, based on the irritating and saccharine cartoon. But Papercutz is reprinting the original European comics from the legendary writer/artist Peyo, which are far more sophisticated than the U.S. version, not to mention a lot funnier.
Papercutz has two Smurf collections out currently, both worthy of consideration. “The Aerosmurf” ($5.99) is Vol. 17 in the ongoing reprint series, and includes not only the title story, but also “The Masked Smurf,” “The Firesmurfs,” “Gluttony and the Smurfs,” “The Smurf and His Dragon” and “Jokey Smurf’s Pranks.”
The second collection, “The Smurfs Christmas” ($5.99), doesn’t have a volume number; as a collection of holiday-themed stories, one assumes it is meant to be an evergreen seller. And there are plenty of heart-tugging tales therein, including “Little Peter’s Christmas,” “The Ogre and the Smurfs,” “Strange Snowmen,” “Hibernatus Smurfimus,” “The Little Tree” and “The Smurfs Christmas.”
Granted, there’s usually a moral or a lesson to be learned from these tales, but they’re not so obvious as to be painful. The focus is on action and humor, where it belongs. For example, in “The Aerosmurf,” our lead Smurf learns the hard lesson of being careful what you wish for, when he achieves his dream to take to the air. But while he faces unexpected consequences, he also copes with those challenges in an admirable fashion, as well as paying appropriately for his mistakes (at the hands of Smurfette). All in all, there’s a lesson in there somewhere, but “The Aerosmurf” is mainly a kid-size adventure story.
Another recent Papercutz release is “Power Rangers Megaforce: Panic in the Parade” ($7.99). The main story (there’s a backup starring the Black Ranger) is an examination of trust, and I was genuinely surprised when one of the Rangers learned that not only could trust be rewarded, but betrayed as well. In other words, the real lesson wasn’t that trust is good, but that it needs to be invested wisely. That’s a pretty sophisticated and useful lesson for “tweenagers,” likely the target audience for this book.
I also believe that to be the audience for the hardcover “Thea Stilton: Revenge of the Lizard Club” ($9.99). Thea is a relative of Geronimo in some fashion, but he never makes an appearance. This adventure is entirely Thea’s, set entirely in her high school, during an election that brings out the mean girls (and boys), and the title character and her friends, who are naturally the “good” teens. As I read this story, I could easily imagine it as taking place in an Archie book, with the Riverdale gang taking the place of Thea and her friends. That’s a compliment, by the way, as well as a clue what audience would enjoy this.
Meanwhile, Papercutz has released two more books at opposite ends of the age scale.
“Tinker Bell and the Lost Treasure” ($7.99) is for younger readers, in which the familiar character from “Peter Pan” goes on a quest to replace a magic object she has accidentally broken. Actually, Tinker Bell hurts a lot of things in this story, including feelings, because she’s really a spoiled brat throughout. I found that surprising — aren’t we supposed to like her? — and found myself more invested in her comeuppance than I expected. And when it arrived, as we knew it would, she took her lumps and made some friends in the process. I’m as cynical and jaded as any comics fan, but even I felt like this story hit the right notes.
Finally, “Classics Illustrated Deluxe: The Murders in the Rue Morgue and Other Tales by Edgar Allan Poe” ($13.99) is undoubtedly for older readers, possibly high-school age. After all, that’s the age where I knew kids who used “Classics Illustrated” and CliffsNotes in lieu of actually reading the assigned material. Not that I ever did that, but you know, you hear things.
And I supposed this book could be used for that purpose, because this adaptation includes virtually all of “Rue Morgue,” even the boring set-up parts where we learn just how smart C. Auguste Dupin is. In case you didn’t know, “Rue Morgue” is considered the first detective story, and Dupin is the model for later armchair detectives, notably Sherlock Holmes.
The “Other Tales” in the title refers to adaptations of “The Gold-Bug” and “The Mystery of Marie Roget.” Both of these are “tales of ratiocination,” as Poe called his detective stories, and “Marie Roget” also stars Dupin. (The hero-slash-narrator of “Gold-Bug” is unnamed.) All three are lushly illustrated in — ahem — classic styles.
And all of these books are far more sophisticated than the kids’ books of my own long-lost youth. They are not necessarily better, I’ll say quickly for those with fond memories of “Casper,” but they cover the same ground and are a lot more polished. I recommend them wholeheartedly for kids, as they say, of all ages.
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